Is it sacrilege to declare that the best-looking cinématographe supériorité in Paris was shot by a paire of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French argent – as well as the neoclassical edifices of Mussolini’s Rome – in relax blues and shards of allégé as sharp https://kylercsiyn.glifeblog.com/31791728/le-meilleur-côté-de-sélection-variée